Photo-Editing and Presentation
Douglas Holleley PhD
9x6 inches, 149 pages in full color, sewn signatures, soft cover.
Rochester, NY: Clarellen and
RIT Cary Graphic Arts Press, 2009.
ISBN 978-0-9707138-5-8
This book introduces photographers, print-makers and other graphic artists to the creative possibilities of image editing and presentation. The focus is on how meaning can be created and shaped if the emphasis is placed on the totality of the visual experience rather than by looking at each single image in isolation.
In the first instance there is a discussion of a variety of ways images can be grouped together. This act has implications for how the work should subsequently be presented. To this end there is a discussion of various presentation techniques, and how each different forum can further amplify the desired effect. Finally there is a hands-on look at a variety of presentation techniques such as artist book publishing, exhibition design and portfolio construction that will help the reader to present his or her work in a professional manner.
By employing the principles outlined in this book readers can expect that the content of their work will be more coherent and accessible, not only to an audience, but also more importantly, to themselves.
Finally, a textbook for mid-level to senior college students and for graduate students of Pho- tography that addresses the demands of senior study. At this level students must take more responsibility for the content and appearance of their work. Until now, there has been no text to assist this process. This book will enable such students to edit and present their work in a professional and thoughtful manner. Additionally, the book will help students develop a helpful critical vocabulary for discussing and interpreting images.
Anticipated date of publication is February 2009. The price will be $29.95.
SPECIAL PRE-PUBLICATION OFFER
Orders received before February 1, 2009 are priced at $19.95.
Table of Contents
CONTENTS
- 1
- Introduction
CHAPTER 1
BASIC EDITING STRATEGIES
- 3
- Introduction
- 3
- The Initial Edit
- 6
- Method
- 7
- Final Thoughts
- 13
- Intention Versus Effect
- 14
- Intentionality
- 17
- Editing Strategies
- 18
- The Third Effect
- 21
- Systems of Internal Logic
- 21
- Category or Genre
- 23
- Similar Classes of Objects
- 25
- Similar Classes of Objects Occupying the Same Visual Space When Photographed
- 27
- Use of Recurring Visual Motifs
- 27
- Objects
- 28
- Shapes and motifs
- 31
- Color
- 33
- Metaphors and Symbols
- 34
- Simile
- 34
- Metaphor
- 35
- Metonymy
- 35
- Synecdoche
- 35
- Allegory
- 38
- The Equivalent
CHAPTER 2
MACRO EDITING SYSTEMS
- 41
- Introduction
- 43
- Grouping
- 45
- On Authorship
- 47
- Narrative
- 51
- The Sustained Metaphor or Sequence
- 55
- The Array
- 57
- Assemblage
- 58
- The Moving Image
- 61
- Diagrammatic Systems
Conclusion
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CHAPTER 3
PRESENTATION
- 63
- Introduction
- 64
- General Considerations—Scale
- 67
- Seven Main Ways to Present Images
- 67
- The Book
- 71
- The Portfolio
- 75
- The Book/Portfolio Hybrid
- 79
- The Exhibition
- 83
- The Installation
- 87
- Time and/or Screen Based Systems for Still Images
- 89
- Electronic Delivery Systems
- 90
- Contextualizing Your Data
- 91
- Writing an Artist Statement
- 92
- Conclusion
CHAPTER 4
PRESENTATION TECHNIQUES
- 95
- Important Safety Note
Introduction
- 97
- Making a Simple Concertina Book
- 100
- On Demand Publishing Options
- 103
- Working with Cloth and Board
Bookbinding Tools and Materials
- 105
- A Two-piece Hard Cover for a Concertina Book
- 111
- Making a Two-piece Portfolio Box
- 123
- Matting Prints
- 129
- Print as Object
- 131
- Conclusion
BIBLIOGRAPHY
- 133-136
INDEX
- 137-139
ACkNOWLEDGEMENTS
- 140
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